Macaulay Culkin Eating a Slice of Pizza & Andy Warhol Eating a Hamburger
CONFESSIONSOFAMICHAELSTIPE.TUMBLR.COM HAS JUST REACHED 175,000 FOLLOWERS. I WANT TO SAY THANK YOU!! WITH MY HOMAGE TO THE VELVET UNDERGROUND, ANDY WARHOL, AND MARCEL DUCHAMP. THIS IS MUCH BETTER THAN TOILET PAPER MAGAZINE. —MICHAEL STIPE 4.15.2014
NUDE ASCENDING A STAIRCASE #2
For the past couple of months, Amit Gupta has been playing around with taking moving self-portraits with a camera mounted on a drone. Here’s an early effort. This past weekend, Amit’s efforts crossed over into the realm of art. This is beautiful:
In the comments at Vimeo, Alex Dao dubbed this type of photograph a “dronie”. We’ll see if that catches on.
Sound installation by Alex Allmont uses old LEGO to create a machine to generate electronic music - video embedded below:
Play house is an automata that mechanically computes and performs hooky and hypnotic acid house. Like a generative musical loom, a single drive turns a sequence of LEGO gears, levers and latches that mutate riffs and rhythm patterns. These are played out on analogue drums and synthesisers from the halcyon days of 1980’s dance music while the machine gradually shifts the timbre and space of the sound. In the piece the process of creation is laid bare so one can indulge in picking apart the interactions driving the score, seeing sound as it changes in sculpture, exploring our expectations in music, or simply rocking out to some fruity acid.
Facebook uses face recognition software to identify its users in photos. This works via a ‘template’ of your facial features that is created from your profile images. These features — the distance between your eyes, the symmetry of your mouth — generally do not change over time. Unlike a photograph, which captures some ephemeral expression of who you are at a particular moment, a face recognition template forever remains your portrait. It is all possible photos, taken and untaken, by which you, or someone else, might document your life.
These templates are Facebook’s proprietary data. For a brief period in 2013, users could access their template using the “Download a copy of your Facebook data” option in the settings (it is no longer included in the download). The information is unusable in its raw form without knowing the specifics of Facebook’s algorithm. But as an irrevocable corporate byproduct, the future implications of such data remain unclear.
Eternal Portraits is a series of printed and framed face recognition template data from our friends and ourselves.
More at Brian’s website here